Prison Break isn't a bad show. It's got hotties galore, good plots, fast pacing--but I'm not sure how high the stakes really are in the plots and that's a problem. Sure, they kill people off left and right on Prison Break. But the only characters any of us really care about are Scofield and Sarah, and we know that they won't be killed. So I watch the show every week, but I don't find it as satisfying as I did the first season.
Heroes was great again last night. Tiny little clues scattered everywhere. We meet this great new character--a waitress who can suddenly remember everything she reads or hears--and then she gets killed. Only, Hiro went back in time and there was a sense that he was able to save her. And right now it's looking like the only baddie on the show is Sylar, since HRG (horn rimmed glasses) gets more understood each episode. Of course next week is when "save the cheerleader, save the world" comes to a head! I can't wait.
Oh, and Studio 60. My dear Studio 60. It's a good show--no denying that. High quality, good acting, and the like. But again, there is some kind of spark missing. With Sorkin's The West Wing there was inherent gravitas because the weekly battles and decisions were political and we were made to see how each tiny decision can (or might not) affect America. But with Studio 60, I feel like we're just watching people who are really talented and like their jobs do their jobs. There isn't a larger resonance for me. Maybe if they dug deeper with the characters I would care more. But at least we get to see--NBC ordered a full season despite the show's pathetic ratings. So if you used to watch The West Wing, then you should probably tune in to Studio 60.
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